I’m very excited to be able to reveal the cover of my new book – Letters Home, a solo collection of short stories – which is coming out next month. The stories (for adults) include several new ones written especially for the collection, along with some previously unpublished pieces and others which have already appeared in anthologies, newspapers and magazines over the years.
Here’s the back-cover blurb:
“When an out-of-work actor discovers his bedsit once belonged to an obscure, suicidal painter, he turns his talents to re-creating the ultimate site-specific performance . . .
As a teenage girl drifts from depression into a permanent state of sleep, she becomes the focus of both scientific interest and an unexpected, cult following…
Against a backdrop of hooliganism and hostility, an asylum seeker writes letters home assuring his family how welcoming England is…
Many of the characters in Martyn Bedford’s stories find themselves at a point of redefinition, trading in their old identity for something new. Whether it is an act of retreat or escape – fantasising about storming out of a thankless job, or just avoiding a bad-tempered husband for a few moments on Christmas day – they each understand the first step in changing a reality, is to reconstruct it.”
I’ve been flattered to receive a couple of wonderful pre-publication quotes from other writers:
Haunting and intimate portraits of vividly different lives that get under your skin and stay there – Jeremy Dyson, co-writer of The League of Gentlemen.
Letters Home further establishes Martyn Bedford as a stand-out writer of highly memorable fiction – Jacob Ross, author of The Bone Readers, winner of the 2017 Jhalak Prize.
Letters Home is published on November 16th by Comma Press. Please click here for the Comma website, where physical and digital copies can be pre-ordered.
I’m looking forward to appearing at the Ilkley Literature Festival later this week . . . and not just because the venue is walking distance from my house. I’ve done quite a few events at ILF down the years – my debut was way back in 1996, alongside Stan Barstow at the Craiglands Hotel – but this will be my first time on stage at St Margaret’s Hall (although I was a frequent visitor there with my daughters, when they were little, for parents-and-tots sessions.)
It’s especially exciting to be appearing at the festival alongside two writers as renowned as Maggie Gee and Jacob Ross for what promises to be a lively evening of political and literary debate. The three of us will be reading extracts from, and discussing, our short stories, which have been included in Protest: Stories of Resistance, the latest anthology by Comma Press. Maggie’s story revolves around the night-cleaners’ strike in Hoxton, London, in the early 1970s; Jacob’s focuses on the New Cross Fire and Brixton riots a decade later, while mine is centred on the so-called Battle of Orgreave during the 1984-85 miners’ strike.
For the anthology, Comma paired twenty writers with expert consultants – social and political historians and academics – each of whom has written an afterword which sets the fiction in its historical context. For my story, “Withen”, I collaborated with Prof. David Waddington of Sheffield Hallam University, who was present as an academic observer on that infamous day when riot police broke up a mass picket outside the coking plant at Orgreave, South Yorkshire.
Other authors whose stories appear in the anthology include Sara Maitland, Kit de Waal, Frank Cottrell-Boyce, Alexei Sayle, David Constantine and Courttia Newland, with protest topics ranging across seven centuries, from the Peasants’ Revolt to Greenham Common, the Aldermaston March to the Diggers, the Suffragettes to the Anti-Iraq War demo.
The anthology has already received glowing reviews and I’m flattered that my story has been mentioned in despatches:
“Many of the stories explore the long-term legacy of the events upon its characters: perhaps none more so than Martyn Bedford’s skilful, sensitive depiction of estrangement caused by the divisiveness of the 1980s mining strikes.
Bethany Creamer, disclaimermag.com
Martyn Bedford’s “Withen” uses flashback to devastating effect to lay out the impact on a single family of Thatcher’s pit closures: the ending of this story is one of the most chilling we can recall in this or any collection.
“Protest Lit”, event 92 at this year’s festival, is at St Margaret’s Hall, Queen’s Road, Ilkley, from 7.30-8.30pm, on Friday October 6th. Tickets priced £7 (£5 concessions) can be obtained via the Ilkley Literature Festival website – click here – or simply pay at the door.
I thought I’d share a spread of photos from my recent visit to Tuscany to tutor a residential retreat for The Art of Writing. The attendees at the one-week course in Casentino, in the wooded hills above Florence, converged from all over the world – America, Australia, Brazil, Ireland, the Netherlands and the UK – to take part in workshops, seminars, tutorials and readings, and to develop their works-in-progress. Plenty of excellent Italian food and wine was enjoyed, too!
The Art of Writing is run by Australian-born author and blogger Lisa Clifford, who has lived in Tuscany for many years. To find out more please click here to visit her website. I’m grateful to the photographer-in-residence, Jilly Bennett, and social media consultant Georgette Jupe for permission to reproduce these photographs.
I’m looking forward to a trip to Manchester this week for a celebration of independent publishing in the north of England. I’ll be one of eight writers sharing a stage at the first Northern Fiction Alliance roadshow, to mark the formation of a new collective of indie presses.
The event, from 6-8pm on Tuesday 26th September, at Waterstones, Deansgate, will showcase a variety of NFA presses and books, with talks and readings from editors and authors. I’ll be reading an extract from “Withen”, my story about the battle of Orgreave, which is published in Protest, the latest anthology from Manchester-based Comma Press.
Here’s the full line-up of writers:
Martyn Bedford (Comma Press)
Heidi James (Bluemoose Books)
Joanna Walsh (And Other Stories)
Paul Hanley (Route)
Jacob Ross (Peepal Tree Press)
Naomi Booth (Dead Ink Books)
Benjamin Myers (Mayfly)
Graeme Macrae Burnet (Saraband)
Tickets cost £3 and include a glass of wine or soft drink on arrival. There will also be a 10% discount on any books purchased on the night published by any of the presses in attendance. For more information, email email@example.com, firstname.lastname@example.org or tweet us @waterstonesmcr.
A fun week was had by all (I hope!) at Lumb Bank last week when fifteen aspiring novelists gathered for a residential writing course, which I co-tutored with the excellent writer and all-round lovely person, Catherine Johnson.
The five-day course at the Arvon Foundation‘s centre in Heptonstall, West Yorkshire (the former home of the poet, Ted Hughes), focused on young-adult fiction and was aimed at more advanced writers who already have work-in-progress. The participants travelled from all parts of the north of England – and from London in several instances – to take part in workshops, individual tutorials, talks and readings . . . and to enjoy plenty of great food (and drink).
The group produced a wide variety of impressive work during the week – either from their own novels or in response to the writing exercises we set – and the Friday-night showcase was a real celebration of their talent and an inspiring way to round off the course.The special guest on the Wednesday evening was Sarah Crossan, winner of the 2016 Carnegie Medal and one of the most feted of the current crop of leading YA authors, who spoke engagingly and with bracing honesty about her career as a writer and her passion for writing fiction in verse. It was a privilege to work with Sarah again (we shared a stage at the Ilkley Literature Festival a few years ago) and to work with Catherine for the first time.
This was my ninth stint as a tutor at Lumb Bank and my 14th Arvon course in total, having taught three at Totleigh Barton, in Devon, and two at The Hurst, in Shropshire. I also tutored at the Scottish equivalent, Moniack Mhor, last year. If you haven’t been on a residential writing course I can highly recommend them – they’re certainly great fun to tutor! Here’s a link to the Arvon website.
I’m taking a trip down memory lane this week with a visit to Norwich to take part in FLY 2017, the Festival of Literature for Young People. The festival, now in its fifth year, is organised and hosted by the University of East Anglia, where I took my Creative Writing MA back in 1993-94.
That was a special year for me, as I got married and wrote what was to become my first published novel, Acts of Revision, so I’m always glad of an excuse to revisit Norwich and the UEA campus. This is my second time on the programme at FLY, where I’ll be giving a talk and reading to around 200 teenagers from local schools and leading a creative-writing workshop.
This year’s festival runs from July 10-14 and includes a wide range of events and a great line-up of authors – Frank Cottrell Boyce, Clare Furniss, Andy Briggs, Jo Cotterill and Cliff McNish, to name just a few. For full details please click on this link to the FLY website.
I’m delighted to announce that this week marks the publication of the German-language edition of my latest YA novel, Twenty Questions for Gloria, under the title #WoIstGloria? (Where is Gloria?). It’s published by DTV Verlagsgesellschaft, in Munich, and has been translated by Gerald Jung and Katharina Orgass.
What a busy week! It kicked off with a brilliant three-day trip to Italy, to take part in the Mare di Libri (Sea of Books) Festival, in Rimini, to promote Tutta la Verita su Gloria Ellis – the Italian edition of Twenty Questions for Gloria, published by De Agostini.My event took place last Sunday morning in the wonderful setting of the Museo della Citta (City Museum) in the heart of Rimini’s historic and very attractive old town, parts of which date back to Roman times. I’m pictured, here, on stage with Simonetta Bitesi, far right, the writer and critic who interviewed me, and Emma, one of the festival’s young volunteers, who acted as interpreter – translating Simonetta’s questions in to English for me, then translating my answers into Italian for the audience. There were close to a hundred people in the hall – the Sala del Giudizio – and it was great to see so many teenagers among them (not least because the event started at 10am!).
This was the 11th year of the festival, the largest in Italy specialising in children’s and YA literature, and which included leading authors from the U.S. and Canada, as well as from all over Europe.
I’d barely returned to the UK, when I was on the move again – this time, bound for the Ricoh Arena – home to Coventry City FC and Wasps rugby club – and the presentation event for the 2017 Coventry Inspiration Book Awards. Pictured, right, is Isobel Powell, of the Coventry Schools Library Service, which organises the annual awards, giving the opening address at the event, held in a conference suite beneath the stadium. You can see my left ear and part of my head in shot! There was a real buzz at the event, with so many students of all ages from the participating schools to cheer the winning authors in each category.
And here’s a photo of the trophy awarded for Twenty Questions for Gloria in the Simply the Book category (for readers aged 13+), which was presented to me by Snya Riaz, a Year 10 student at Sidney Stringer Academy, who attended the event with the school’s librarian, Lynda Clapham. I’m grateful to Snya and her friend Nadira (sadly unable to be there) for championing Gloria during the voting process – and especially to Snya for saying such lovely things about my novel in her speech.
I spent an unusual but very enjoyable hour at BBC Radio Leeds this week, when I made my debut as a guest on the “Wednesday Witter” segment of Andrew Edwards‘ afternoon show. Along with my fellow guest – Carol Robertson, a charity fundraiser and cyclist – we discussed three topics which were in the news that day: stereotypes in advertising; taking early retirement (a la Daniel Day Lewis); and the summer solstice.
Here I am (above) pictured in the studio with Andrew and Carol as we were about to go on air. It must have gone okay because the show’s producer has invited me back to do some more wittering in August.
In these febrile political times, it seems apt for a new anthology of fiction about resistance to be hitting the bookshelves (virtual and physical). Protest: Stories of Resistance is the latest book of short-fiction to be published by the excellent Manchester-based independent Comma Press . . . and I’m pleased and honoured to be among the contributing authors.
In putting together this anthology, editor Ra Page paired twenty writers with leading social historians and other experts, to produce stories and commentaries ranging across centuries of political dissent – from the Peasants’ Revolt to the Poll Tax riots, from the Suffragettes to the anti-Iraq War demonstration, from the Diggers to Greenham Common. For my story, Withen – which centres on the Battle of Orgreave, during the 1984-85 miners’ strike – I worked collaboratively with Prof. David Waddington, of Sheffield Hallam University, who assisted my research and has written a factual afterword to accompany my fictional response to those events.
Other contributing authors include: Kate Clanchy, David Constantine, Frank Cottrell-Boyce, Maggie Gee, Matthew Holness, Sara Maitland, Courttia Newland, Alexei Sayle and Kit de Waal. I’m proud to see my name – and my story – alongside theirs, and to be making my small contribution to the political discourse generated by this recasting of social history through the prism of imaginative literature.
Protest: Stories of Resistance (hardback, £14.99) is officially published on July 6th but is already available online direct from Comma Press at a discount price of £13.50. Click here to visit the book’s page on the Comma website.