Category Archives: General

Highland fling

I’ll be heading up into the Highlands of Scotland later this summer to co-tutor a six-day residential course on writing for teenagers and young adults. Having taught numerous similar courses over the years for the Arvon Foundation at their centres in West Yorkshire, Shropshire and Devon, I’m very much looking forward to my first visit to Moniack Mhor, near Inverness.

My fellow tutor for the week is the excellent, edgy YA novelist Cat Clarke – author of Torn, Entangled, Undone and, most recently, The Lost and the Found – and we’re honoured to have the former Children’s Laureate, Anne Fine, as guest speaker during the week.

Young Adult Fiction Flyer
There are still a few places left on the course, which runs from August 1st-6th, so if you fancy spending a week writing YA fiction, attending workshops, readings and one-to-one tutorials – not to mention wining and dining with other aspiring writers in a beautiful part of Scotland – then please check out the details on the flyer, above, or click on this link to the Moniack Mhor website to make a booking.

In Leeds, united

I’ll be sharing a stage in Leeds tomorrow (Sun 5th) with colleagues and students from Leeds Trinity University as we join forces to put on a showcase of our creative writing.Leeds Trinity logo No fewer than thirteen of us will be reading at the event – five students from the current Creative Writing MA cohort (Lucy Brighton, Sophie Joelle, Lewis King, Rebecca Leeming and Liz Mistry), five recent graduates (Lynn Bauman-Milner, Caroline Bond, Gill Lambert, Maria Stephenson and Hannah Stone) and the MA’s three tutors (me, Amina Alyal and Oz Hardwick).

big-bookend1-e1398617085807The readings will be mix of prose and poetry – I’ll be reading my latest short story, “The Wrong Coat”, which is included in the newly launched 2016 Leeds Trinity anthology Journeys: A Space for Words, published in May by Indigo Dreams Publishing. The event will be a celebration of the writing to have emerged from the course, which was only established in 2013 but has already seen a number of its students enjoy publication success for their poetry and short-story collections and novels.

Tomorrow’s event is part of the 2016 Leeds Big Bookend Festival: “Crossing City Limits”, and is taking place at 3.30pm at the Outlaws Yacht Club, 38 New York Street, Leeds, LS2 7DY (just behind the bus station.) Admission is free. For the full Big Bookend programme please follow this link to the festival website.

From Hay to Horsforth

Fresh back from a long round-trip to the Hay Festival, I’m gearing up for my next gig (much closer to home) in Horsforth.

The session at the Starlight Stage, in Hay, on Saturday morning was hugely enjoyable – a panel discussion on young adult fiction, expertlyHay event pic chaired by the writer, editor and translator Daniel Hahn, in which I shared a platform with the novelists Eve Ainsworth, Juno Dawson and Patrice Lawrence. There were around 170 in the audience and we were busy in the book-signing tent afterwards, before being whisked to the Green Room for lunch, where we rubbed shoulders with none other than . . . Benedict Cumberbatch!

My next appearance may not be as well-attended, or star-studded, but I’m very much looking forward to headlining at Wordspace, at The Sandbar, Horsforth, on Wednesday – the monthly open-mic event run by Leeds Trinity University, where I teach creative writing. In amongst the poetry and prose performances from colleagues, students and members of the pubic, I’ll be reading extracts from my latest YA novel, Twenty Questions for Gloria. No doubt I’ll bump into Martin Freeman in the gents.

Workshops for teens

My promotional tour for Twenty Questions for Gloria has swung into action this week. Yesterday, I visited Garforth Academy, in Leeds, to run a creative writing workshop for a very engaged and imaginative group from Year 10 and Year 11. The students will now be developing their stories over the coming weeks and entering them into a competition which I’ll be judging.

Library festAnd on Saturday afternoon (Feb 13th) I’m looking forward to leading a two-hour workshop at Moor Allerton Library for 11 to 19-year-olds as part of Leeds City Council’s Library Fest. For more details of this event and how to book a place please click on this link. And click here to visit the Library Fest website, with full details of the programme of events taking place across the city from February 13th to 21st.

Costa in pictures

Here are some photos from the Costa Book of the Year event in London earlier this week, courtesy of the good people at Costa. (Picture credit: Richard Kendal/Barcroft Media.)

Me with the rest of the Costa judges.

Me with the rest of the Costa judges.

Each judge had to pose for a photocall on arrival at Quaglino's. Here's mine.

Each judge had to pose for a photocall on arrival at Quaglino’s. Here’s mine.

Here, I'm presenting Frances Hardinge with her prize for winning the children's category.

Here, I’m presenting Frances Hardinge with her prize for winning the children’s category.

Hooray for Frances!

What a fabulous night at the Costa Book Awards . . . and what a brilliant result! Many congratulations to Frances Hardinge for winning the overall prize with her superb teenage novel, The Lie Tree – only the second time in 31 years that the winner of the children’s category has claimed the main award.

Frances Hardinge picAs one of the judges at yesterday afternoon’s meeting in the library of the St James’s Hotel, in London’s West End, I went into the room expecting to be in a minority of one, championing Ms Hardinge’s book. I knew it was an exceptional novel but it was up against some very strong candidates from the other four categories, never mind the weight of history being stacked against it. Would enough of the other judges sign up to the notion of a book for teenagers winning one of the UK’s biggest literary prizes?

As the meeting unfolded, though, it became apparent that The Lie Tree was in with a serious chance of winning. We discussed the category winners in turn, with each judge given time to comment on each book. There was dissent – one book, in particular, produced a clear split between those who loved it and those who really didn’t like it. But, for the most part – and despite strongly held and clearly articulated views – the differences of opinion were much less stark, and less bluntly expressed, than might have been expected.

Costa-Book-Awards-logoIndeed, the meeting was surprisingly convivial. Once the talking was done, the chair of judges, James Heneage – historical novelist and founder of the Ottakars chain of bookshops – asked each of us to write down our first and second choices. To give an indication of what a close-run thing it was, four of the five books secured at least one first-choice vote.

After the votes were totted up (two points for a first choice, one point for a second choice), The Lie Tree emerged out in front, both in terms of the total number of points and the number of judges who placed it in their first two. As James said later, in his announcement speech, dissent had yielded to consensus. It was the one book that was enjoyed and admired all round the table, even by those who didn’t vote for it. It was the right choice. The judges whose favourites missed out were generous-spirited in their endorsement of the result and in expressing their pleasure at conferring such an accolade on an author who is already highly regarded (and prize-winning) in the realm of children’s fiction but little known outside of it. Until now!

The lie treeI don’t mind admitting, I was thrilled to bits when we all decamped around the corner to Quaglino’s restaurant for the awards ceremony and the winner was announced. I was delighted for Frances Hardinge and her marvellous novel but, as an author of young-adult fiction, I was fully aware of what a momentous decision this was for UKYA more generally.

Teenage fiction has been the success story of British publishing for the past 25 years, producing scores of talented writers and so many brilliantly written books. The sales have reflected this and yet it has never really received the critical and media attention it deserves. So, a Costa win for a teenage novel was long overdue (it’s been 15 years since Philip Pullman won with The Amber Spyglass).

I am immensely proud to have been a part of the Costa judging process – first, in working alongside Melissa Cox and Andrea Reece to select the shortlist and winner of the children’s category, then as part of the final judging panel, with Jane Asher, Katy Brand, Julia Copus, Louise Doughty, Janet Ellis, Matt Haig, Penny Junor and our excellent chair, James Heneage. It was a pleasure to meet and work with them.

Costa-Book-Awards-logoCommiserations to the four category winners who missed out: Kate Atkinson (Novel – A God in Ruins); Andrew Michael Hurley (First Novel – The Loney); Don Paterson (Poetry – 40 Sonnets); and Andrea Wulf (Biography – The Invention of Nature: the Adventures of Alexander von Humboldt). I enjoyed all four books . . . but it was The Lie Tree that blew me away.

Scissett revisited

Scissett 1It’s always a pleasure to drop in on one of my very favourite schools – Scissett Middle School, near Huddersfield. So, I thought I’d share a couple of pictures from a recent visit, when I ran writing workshops for two Year 8 groups. The stories they’ve written in response to the sessions have now been entered into a competition which the school has asked me to judge.

I’ve been to Scissett several times over the years, to run workshops and give talks and readings. The staff always make me very welcome and the students are reliably attentive, engaged and a real pleasure to work with. A credit to themselves and to their school.

Scissett 2Indeed, two characters in my upcoming YA novel, Twenty Questions for Gloria, are named after two of the school’s former students, as a prize for a competition I ran at Scissett a couple of years ago, and in which more than 80 of the students participated.

I’m grateful to Linda, the librarian, and Maura, one of the English teachers, for giving me permission to use these photos on my blog.

Awards honour

I’m delighted and honoured to announce that I have been asked to join the final panel of judges to pick the overall winner of the 2015 Costa Book Awards. As reported in previous posts, I was a member of the judging panel for the children’s category, which I will now be representing when the prestigious £30,000 prize for book of the year is decided ahead of the awards ceremony in London next month.

Costa-Book-Awards-logoThe five winning books from each of the categories – Novel, First Novel, Biography, Poetry and Children’s – will be announced on BBC Radio 4’s Front Row on January 4th (with a prize of £5,000 for each author) and one of these titles will go on to be declared the overall winner at a star-studded event at Quaglino’s restaurant, in St James’s, on January 26th, to be hosted by presenter and broadcaster Penny Smith. The nine-strong panel of judges will meet that afternoon to discuss the books and reach a decision.

Chair of the panel will be James Heneage, the historical novelist and founder of the Ottakar’s bookshop chain. The other judges are: Jane Asher, actor and author; Katy Brand, writer, comedian and actor; and Janet Ellis, actor, broadcaster and writer, as well as the five writers who will be representing the award categories which they helped to judge – Julia Copus (poetry), Louise Doughty (novel), Matt Haig (first novel), Penny Junor (biography) . . . and me!

Costa-Book-Awards-logoThis will be my second visit to the final Costa awards ceremony, having been invited as a shortlistee in the children’s category, with Flip, in 2011, when the overall winner was Andrew Miller’s novel, Pure. My abiding memories of that evening (through a haze of seemingly limitless free champagne) are of eating too many lemon-curd mini-doughnuts and standing in the cloakroom queue in front of Ian Hislop. Who says a writer’s life isn’t glamorous?

Sophie’s world

Hayley Long picMy time as a newspaper reporter and features writer ended many years ago but I had to brush off the journalistic cobwebs this week to write a piece for Books for Keeps. I was commissioned by the excellent children’s book magazine to interview the teen/YA author Hayley Long (pictured) as part of a series of articles about the four writers shortlisted in the children’s category of the 2015 Costa Book Awards, for which I am one of the judges.

Sophie someoneI spent a very interesting and enjoyable hour chatting to Hayley about her work and, in particular, her wonderful novel Sophie Someone, which is on this year’s shortlist and is written in a code of her own invention.

Here’s the opening sentence of my article to whet your appetite: “Hayley Long is already a well-known noodle in the teenage bucket whirlpool but Sophie Someone promises to open the dormouse to an even grottier readership.”

To find out what on earth I’m talking about, and to read the feature in full, please click on this link to the Books for Keeps website.

Festive spirit?

As a spin-off from my involvement as a judge for the children’s category of this year’s Costa Book Awards, the nice people at Costa asked me to write about my favourite festive read.

The piece has been published as part of a Christmas promotion in their latest newsletter, which is distributed to two million members of the Costa Coffee Club loyalty-card scheme. So I thought I’d share it with the, er, somewhat fewer subscribers to my blog. As you’ll see, below, my favourite festive read isn’t very festive at all.

Dandelion Wine coverDandelion Wine
by Ray Bradbury

My Christmas read is an homage to summer. Let me explain. As a boy, once I’d outgrown Blyton and the Beano, I read little else but science fiction – specifically, John Wyndham and Ray Bradbury.

So, one Christmas, I was delighted to find Bradbury’s Dandelion Wine among my presents. I was about twelve – the same age as Douglas Spaulding, the novel’s hero. I say ‘novel’ but, strictly speaking, it’s a sequence of semi-autobiographical stories which fictionalise summertime episodes from Bradbury’s childhood in small-town Illinois. I recall none of these details, by the way; I’ve had to Google them.

What does linger is the atmosphere – a surreal, magical quality conjured by the stories’ blurring of realism and fantasy. And an evocation of place so vivid the images smudge the recesses of my memory like chalk on a badly wiped board. Even now, forty-odd years later, I can’t retrieve a gift from under the tree on Christmas morning, or open whichever new book I’ve been given, without catching a summery whiff of Dandelion Wine.

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